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Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Sunday, August 5, 2012

Italy Soundtrack


This playlist pretty much narrates my experience here:

City of Black and White- Mat Kearney
A Man and a Woman- U2
Push- Matchbox Twenty

Plus a few that I've written, and, of course, this gem. They might have hit their peak thirty-something years ago, but I'm still a die-hard I Nuovi Angeli fan.

Friday, May 4, 2012

A Few Questions

Inappropriate, politically incorrect, and downright offensive, they Key of Awesome's One Direction parody is intended to raise laughs-- and questions. In an in-your-face way, the Key of Awesome encourages us to ask questions such as: Why do the boys of One Direction wear full-length pants while standing in an ocean? Why do all pop songs involve a na-na-na riff??? Which One Direction member is really Justin Timberlake???


Still, I have a question that KoA definitely didn't see coming. That is, why is their parody featured on Time Out: Kuala Lumpur's blog when it has NOTHING to do with Malaysia????? Don't get me wrong-- I'm happy to have laughed my tush off for the past five minutes (even if I am feeling slightly guilty about it now...). But I came to Borak Borak to learn about Malaysia, after all!

Saturday, March 3, 2012

Crazy Coincidence?

The Mimes and Mummers, a theater group at Rose Hill, rocked Next to Normal tonight. It's a heavy show, but rather than focusing on plot, or characters, or the theme of mental illness, one interval had me trippin' for the entire show. That is, the F to D on "I was" from Who's Crazy/My Psychopharmacologist and I, which PARALLELS the F# to D# interval on "I'll be" from Edwin McCain's I'll Be.

I know, I know, it just seems like a little coincidence. And it IS coincidental that the song in which the husband swears to stay with his wife even if she makes him crazy mimics a chord from McCain's popular love ballad. The coincidence makes the parallel between the nostalgia of the distraught husband's "I was" and the refrain-vow of "I'll be" ring a little too true.

Hear it for yourself!
Edwin McCain- I'll Be
Next to Normal Original Cast- Who's Crazy/My Psychopharmacologist and I

Do you think it was written with the parallel in mind?

Monday, February 13, 2012

The Good Ol' Days

I tend not to be nostalgic. But, when Nicki Minaj was "exorcised" at the Grammy's last night, it was hard for me not to yearn for better days. Rather than gluing my eyes to her levitating body, I took a stroll into the history of Grammy's of yore to find respite.
This is terrifying! And not in a fun way.
Image c/o googleimages
The first Grammy awards, originally called the Gramophone awards, were held on May 4, 1959. Domenico Modugno took both Best Record and Best Song of the year. Perhaps more familiar to our twenty-first-centurion ears, the Chipmunks also brought home an award, as did jazz superstar Ella Fitzgerald. Music Man won Best Original Cast Album. And, if only out of pity, the red-nosed, half-lit picture of Frank Sinatra on the face of Frank Sinatra Sings Only for the Lonely won Best Album Cover Photography.
Sad Sinatra is STILL more aesthetically
pleasing than Nicki Minaj
Photo c/o googleimages
Even with its tinges of pathetic, I'd take the portrait of sad Sinatra over a performance of maniacal Minaj any day. It may be easy to view the past with rose-colored glasses, but the ceremony back then really did seem to be easier on the ears, and on the eyes. After all, at the Grammy's of 1959, there were no crimped, blue-haired wigs. No barely-there lace kimonos. No black, birdcage veiled, golden-sceptered, half-black-haired queen. No levitating, pink-lipsticked, little-red-riding-hood-with-the-pope-for-a-date....alright, I give up, this is ridiculous!
Domenico Modugno at the Grammy's,
back when they were classy.
Photo c/o googleimages
In celebration of the Grammy's 1959-style, I've been jamming to Nel Blu Dipinto di Blu (Volare). It's a simple song about the highs of love, accompanied by the visual high of Modugno's adorable 'stache. I can't get enough of it. Compared to the 2012 Grammy's hulabaloo, the Grammy's of yesteryear offer simple, and welcome, perfection.

Saturday, December 31, 2011

Best of 2011

As every radio station in American features Best of 2011 countdowns, I've decided to make a countdown of my very own. Here's my list of the best songs of this year. A disclaimer: they haven't all been released in 2011, but they've all helped define 2011 for me.

Without further ado,

The 15 Best Songs of 2011 (according to me)
15. Resta Cu' mme- Pino Daniele
14.By Your Side- Tenth Avenue North
13. Talking in Code- Margot and the Nuclear So and Sos
12. Hello- Martin Solveig & Dragonette
11. Eh Eh (Nothing Else I Can Say)- Lady Gaga
10. If I Die Young- The Band Perry
9. Farther Along- Anthony Reese
8. Fidelity- Regina Spektor
7. You and I- Ingrid Michaelson
6. Mean- Taylor Swift
5. Rocks and Daggers- Noah and the Whale
4. Somewhere With You- Tyler Ward
3. 5 Years Time- Noah and the Whale
2. El Camino- Amos Lee
and....
1. Umirem 100 Punto Dnevno- Perpetuum Jazzile


Auld Lang Syne by Dougie Maclean is a runner-up. I chose not to include it because I haven't been obsessed with that all year, just recently.
Perpetuum Jazzile took number one by a long shot.

Happy New Year to you!

Monday, December 5, 2011

Apologies All' Improviso

We had an improvisation workshop in my creative writing class today. This came out of it. Nothin' like some improv to fuel my creative writing.



I'm trying to be strategic. Ten stubby fingers dancing across eighty eight keys. This is what it feels like to be on display, I think, even though I'm in a stuffy closet filled with pianos, just me and my Asian piano teacher.

There are a million ways to go. Eighty eight times eighty eight amounts to 7744 possibilities, plus 7744 times 7744 more when you add in grace notes, trills, passing tones and suspensions. A million little hammers sending vibrations through a million little strings to create sound, as a million doors open to a million possibilities, all painted white and black, alternatively. It occurs to me that I'm not choosing any of them particularly well.

At some point, you just have to go. When everything comes to a halt, all of my blood cells and tendons at once resting, all six nameless figures in the dark room stopped, impulse takes over. A hand raises. A foot jolts forward. My fingers begin to dance.

"Fuck!" I scream when I mess up, and my piano teacher winces. One of the figures falls forward, all bones swathed in blue. A friend once suggested to me that I ought to own my mistakes, never apologizing for them but celebrating them instead. "I'm sorry," the blue figure inside of me says, as she recomposes herself off of the wooden floor that has risen out of itself. She heads toward another door...

Doors. Doors rise out of the floor now, long wooden panels bathed in black. And the figures inside of me are hastening to make their way through them, worlds of possibilities: a seventh chord here, an augmented chord now.

What would it be if we understood the world through music? All of our fingers dancing across black and white keys, constructing black walls from impulse, maneuvering around obstacles suddenly risen.
Creating worlds of harmonies and dissonances in spite of ourselves.
Never apologizing when we fall.


More improv-inspired writing after the jump.

Friday, September 23, 2011

Anything Goes

Image c/o Stagezine.com

I went to see Anything Goes on Broadway tonight and, even from the last seat of the last row (the only seat that my measly $30 could get) it was incredible. I was determined to see it with Sutton Foster since I had missed her in The Drowsy Chaperone, and her performance alone was totally worth seeing. She's actually lankier than I had imagined (and therefore something of an awkward dancer) but her acting skills make the show. How often can you say that an actor is truly outstanding?

Of course, Cole Porter tunes never hurt, either.

Sunday, July 24, 2011

Noah and the Whale


And I'll remember all these moments but they're just in my head
I'll be thinking about them as I'm lying in bed.
And I know that they might not ever come true
But in my mind I'm having a pretty good time with you.

Oh, in five years time, I might not know you.
In five years time, we might not speak, oh
In five years time, we might not get along.
In five years time, you might just prove me wrong.

Oh, there'll be love, love, love, wherever you go.
There'll be love, love, love.
Wherever you go, there'll be love.


Noah and the Whale rocked Camden tonight. Time for a new favorite band?

Friday, December 31, 2010

Happy Almost-2011!

Well, we made it through finals (mostly) unscathed. I hope you had a wonderful holiday!

Photo by me
Now that I don't have school to worry about, I'm listening to the top songs of 2010, both separately and together. Listening to mash-ups is one of my favorite things to do at the end of the year and it's made cooler by the fact that DJ Earworm (the king of mash-ups, in my opinion) visited Fordham last year.

If you haven't already, check out DJ Earworm's mash-up of the top 25 Billboard hits of 2010. His mash-up from 2009 was AMAZING, but I think that DJ 'Dark Intensity's' Pop Got Us Falling in Love has him beat for 2010. Which is your favorite???

Here's to a peaceful, joy-filled 2011!

Friday, November 26, 2010

Stay Tuned: Lessons and Carols

This is just about my favorite Fordham event of the year.

The Festival of Lessons and Carols features the Fordham choirs singing Christmas music that isn't blase. Tired of your local radio station's Christmas playlist already? I assure you, this is music of a different kind; it makes for a welcome change and a beautiful segue into the Christmas season. (Preview the magic by clicking the listening sample links at the bottom of this page.)

If you're within a reasonable commuting distance, I highly recommend attending! The concert is free, open to the public, and offers an intimate look at a Fordham tradition. Plus, I'll be there; this is my first year not singing in the Liturgical Choir, so I will be a giddy, first-time audience member!


 The Festival has two performances: one at 8 pm on Saturday, December 4 in the Church of St. Paul the Apostle and the second at 3 pm on Sunday, December 5 in the Fordham University Church on the Rose Hill Campus. Seating is first-come first-served. In lieu of an admission fee, all are welcome to support Fordham Big Brothers/ Big Sisters annual toy drive by bringing an unwrapped, non violent gift for a child between the age of infant to 12 years old.

Sunday, March 28, 2010

A Few of My Obsessions

If you are reading this, you should know that I rarely discover cool stuff. Either people tell me about cool stuff, or the rest of the world gets together, declares that something is cool, and then I find it (hence, it is not a discovery.) Today I was checking out one of my absolute favorite blogs, http://www.ryanbrenizer.com/blog, and heard an amazing song that sounded somewhat familiar. After some research, I discovered them: Vitamin String Quartet. Wikipedia calls them "widely known" but, luckily, I have spent years of my life being taught that Wikipedia is illegitimate.

To Fordham-ify this: Ryan went to Fordham, his assistant went to Fordham, and he often shoots at Fordham. Plus, Fordham grads and students obviously have an awesome musical taste (and some happen to be amazing photographers, too!)